Friends! Enemies! Everyone in between!

I hope you're all doing as best as you can be and taking care of yourselves. It's time to vote for the April book club!

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel.

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

In a powerfully imagined Russia at the height of the pogroms, a grief-stricken family turn to ancient magic to bring their daughter back from the grave. 

Yetta is a bright, quick teenage girl with a wild, searching spirit. Stifled by her mother’s anxiety, her father’s rules, and the path that’s been laid out for her, she craves freedom, the edges of which she doesn’t know. But her family has reason to be cautious and restrictive. Fear has wrapped itself around their shtetl. Jews are mysteriously disappearing, and there are whispers of an impending attack. When violence comes to their door, Yetta is killed. 

Her father, in his grief, fumbles through his nascent knowledge of ancient texts and old magic to bring her back. By some miracle, Yetta is returned—but although she looks the same, she is not the girl she once was. Yetta senses there is a secret her family is keeping from her. The answer resides, in part, in the creature lurking in the woods beyond the shtetl―something that may be of her father’s making, and a being that has plans of its own.

A taboo-bursting, personal and cultural tour through different sexual fetishes that asks: Do we have the courage to look at our desires directly, and express them unapologetically?

The smell of leather. The flash of a harness. The snap of a latex glove. Welcome to the radical, vibrant world of sexual fetishists.

In twenty-first-century commodity culture, we are all intimately involved with objects: we covet a Birkin bag; we keep sneakers box-fresh. We are all, in a sense, all fetishists. But occasionally this desire spills into something more subversive. Second Skin offers a tour through the materials, objects, and power dynamics commonly fetishised, unpacking their histories, their expressive potential, and the communities they give rise to. Drawing from her encounters with fellow fetishists and kinksters, it is also the story of Anastasiia Fedorova’s own journey of what it means to come to terms with one’s sexuality.

Moving between memoir, cultural criticism, reportage, erotic writing, and social history, Second Skin is a researched and topical book that encourages us to rethink how we see not only our own desires, but the world that creates them.

A portrait of three women connected through one man in the aftermath of his murder—a stunning literary achievement and the explosive and highly anticipated debut novel from beloved award-winning memoirist T Kira Madden. Presented as a multicast recording, this production brings each voice vividly to life, deepening the novel’s exploration of varied perspectives and interconnected lives.

Birdie Chang didn’t know anything about Whidbey Island when she chose it, only that it was about as far away as she could get from her own life. She’s a woman on the run, desperate for an escape from the headlines back home and the look of concern in her girlfriend’s eyes—and from Calvin Boyer, the man who abused her as a child and who’s now resurfaced. On her way, she has an unnerving encounter with a stranger on the ferry who offers her a proposition, a sinister solution and plan for revenge.

But Birdie isn’t the only girl Calvin harmed back then. There’s also Linzie King, a former reality TV star who recently wrote all about it in her bestselling memoir. Though the two women have never met, their stories intertwine. Once Birdie arrives on Whidbey, she finally cracks the book’s spine, only to find too much she recognizes in its pages. Soon after, on the other side of the country, Calvin’s loving mother, Mary-Beth, receives a shocking phone call from the police: her only son has been murdered.

Calvin’s death sets into motion a series of events that sends each woman on a desperate search for answers. A complex whodunit told from alternating points of view, Whidbey is searingly perceptive and astonishingly original. Exploring the long reach of violence and our flawed systems of incarceration and rehabilitation, this is a tense and provocative debut that’s sure to incite crucial questions about the pursuit of justice and who has real power over a story: the one who lives it, or the one who tells it?

Four very compelling choices! Happy voting and remember we are reading Now I Surrender by Alvaro Enrigue in March, today is your last day to sign up.

Love what we do? Become a paid subscriber for less than a cup of coffee a month. Your ongoing support helps us plan ahead, fund causes we care about, and create meaningful programming for our community.

Friends! Enemies! Everyone in between!

I hope you're all doing as best as you can be and taking care of yourselves. It's time to vote for the March book club!

A woman’s desperate flight from an Apache raid unfolds into a sweeping tale of the Mexico–US border wars.

Orchestrated with a stunningly imagined cast of characters, both historical and purely fictional, Now I Surrender radically recasts the story of how the West was “won.” In the contested borderlands between Mexico and the United States, a woman flees into the desert after a devastating raid on her dead husband’s ranch. A lieutenant colonel in service to the fledgling Republic, sent in pursuit of cattle rustlers, discovers he’s on the trail of a more dramatic abduction. Decades later, with political ambitions on the line, the American and Mexican militaries try to maneuver Geronimo, the most legendary of Apache warriors, into surrender. In our own day, a family travels through the region in search of a truer version of the past.

Part epic, part alt-Western, Now I Surrender is Álvaro Enrigue’s most expansive and impassioned novel yet. It weaves past and present, myth and history into a searing elegy for a way of life that was an incarnation of true liberty—and an homage to the spark in us that still thrills to its memory.

An award-winning international author’s stunning US debut about two estranged friends who are forced to reunite over one feverish weekend and reckon with the choices that tore them apart.

A decade has passed since Ava spoke to Aliya. During the years of silence, Ava's life has remained at a standstill, while Aliya got the one thing they both wanted more than anything: a book deal. Forced back together at a mutual friend’s bachelorette in London, Ava returns to Aliya’s doorstep, desperate to unpack the truth of their shared history—and what they meant to each other.

When the two first met in the halls of their historic campus, their connection was electric. Aliya and Ava created a world of their own through the stories they wrote, influencing and borrowing from each other’s work. But when the end of college loomed, the real world began to pull them in opposite directions. Was their bond ever truly as strong as Aliya thought? And what would become of the stories they told themselves about each other?

Weaving together the friends’ past and present, Strange Girls is an ingenious portrait of a fraught friendship, and an exploration of the ties forged in the intensity of the college experience, and the scars left when they break.

A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedy.

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration, and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

A novel about mothers and daughters, friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

Set during a doom-fated vacation to the Oregon coast, The Disappointment follows a couple trying to hold close to one another while a bent reality—warped by personal losses and an ever-increasing drift toward the surreal—threatens to unravel them

It’s the night before a much-needed vacation, and Jack—a former playwright mourning his failed career—catches his husband, Randy, packing his mother’s urn. They had agreed: no mother on this trip. Parents, living or otherwise, aren’t the ideal guests for romantic getaways. But Randy has been carrying his mother’s remains everywhere since her death, and he isn’t ready to let go now.

Despite its natural beauty and kitschy charm, the Oregon coast does not provide the respite the couple seeks. Instead, their surroundings and encounters with locals grow increasingly surreal as the days pass. An overly -dedicated Method actor, tantra-obsessed neighbors, and a child environmentalist who may be able to communicate with the dead are but a few of the characters whose presence exposes long-simmering tensions that threaten to undo Jack and Randy’s marriage—to say nothing of their hold on reality.

Told with sly, irreverent humor, and shot through with dark currents of envy and longing for something other than what one has, The Disappointment explores the mutual exhilaration and terror of being placed center stage in one’'s own life.

Four very compelling choices! Happy voting and remember we are reading The White Hot by Quiara Alegría Hudes in February, today is your last day to sign up.

Love what we do? Become a paid subscriber for less than a cup of coffee a month. Your ongoing support helps us plan ahead, fund causes we care about, and create meaningful programming for our community.

Hi nerds,

Since opening Sunny’s, I've occasionally had people come into the shop solely to comment negatively on our offerings. These aren’t customers looking to browse or buy books. They’re individuals who have no interest in reading, supporting the store, or engaging in good faith.

I’d love to brush these moments off completely, but they can be a little jarring. Sunny’s exists in southern Arizona, where politics are complicated and open carry is common, so we stay aware of our surroundings and these hostile interactions.

Sunny's exists to sell books, build community, and create a welcoming space for people who are often told, explicitly or implicitly, that they don’t belong. I truly believe it’s possible to encounter something that isn’t for you and simply keep it moving. In fact, I do it every single day in this town lol.

Last week, someone yelled at one of our booksellers that he “hates little bookstores like this that sell gay witch stuff.” Not our favorite moment, but also… kind of a perfect summary?

When we shared the incident on social media, a follower messaged us to say that this was actually a pretty great point of differentiation and that they’d happily buy a shirt with that tagline on it. And honestly? They’re right. We do sell queer books! We do sell magical books!

So, out of something upsetting, a silly new sticker was born. Tap in my gay witches!!! Vote on which one you'd move like to see come to life.

Love ya! Onward!

CJ

Friends! Enemies! Everyone in between!

It's time to vote for the February book club pick. I asked the Bindery Discord channel (a private channel if you're a free follower or paid member to Bindery, which if you're receiving this... you are lol) for some suggestions and this is where we landed.

I lowkey want to abuse my power as your fearless leader and make us all read The White Hot buuuuut no pressure during your voting. Unless... 🥸

The story of a runaway mother’s ten days of freedom—and the pain, desire, longing, and wonder we find on the messy road to enlightenment—from Pulitzer Prize winner Quiara Alegría Hudes.

April is a young mother raising her daughter in an intergenerational house of unspoken secrets and loud arguments. Her only refuge is to hide away in a locked bathroom, her ears plugged into an ambient soundscape, and a mantra on her lips: dead inside. That is, until one day, as she finds herself spiraling toward the volcanic rage she calls the white hot, a voice inside her tells her to just . . . walk away. She wanders to a bus station and asks for a ticket to the furthest destination; she tells the clerk to make it one-way. That ticket takes her from her Philly home to the threshold of a wilderness and the beginning of a nameless quest—an accidental journey that shakes her awake, almost kills her, and brings her to the brink of an impossible choice.

The White Hot takes the form of a letter from mother to daughter about a moment of abandonment that would stretch from ten days to ten years—an explanation, but not an apology. Hudes narrates April’s story—spiritual and sexy, fierce and funny—with delicate lyricism and tough love. Just as April finds in her painful and absurd sojourn the key to freeing herself and her family from a cage of generational trauma, so Hudes turns April’s stumbling pursuit of herself into an unforgettable short epic of self-discovery.

Fleabag meets Big Swiss in this bold debut about a charismatic misfit who livestreams her life for seven days and nights to raise money to save her comatose sister—a poignant and darkly funny exploration of grief, forgiveness, and redemption.

Dell Danvers is barely keeping it together. She’s behind on rent for her studio apartment (formerly a walk-in closet), she’s being plagued by perpetual stomach pain, and her younger sister, Daisy, is in a coma at a hospital that wants to pull the plug. Freshly unemployed and subsisting on selling plants to trust fund kids, Dell impulsively starts a 24-hour livestream under the username mademoiselle_dell to fundraise for private life support for Daisy.

Dell is her stream’s dungeon master, banishing those who don’t abide by her terms and steadily rising up the platform’s ranks with her sympathetic story and angry-funny screen presence. Once she discovers she has a talent for eating spicy food, her streaming fame explodes and her pepper consumption escalates from jalapeño to ghost to the hottest pepper on earth: the Carolina Reaper. Dell is finally good at something—but as her behavior becomes riskier and a shadowy troll threatens to expose her dark past, Dell must reckon with what her digital life ignores, and what real redemption means.

Narrated in seven taut chapters, one for each day of Dell’s livestream, Just Watch Me careens through a week in the life of this misguided striver with a heart of gold. Voyeuristic and visceral, audacious and outrageous, Lior Torenberg’s debut is both a razor-sharp tragicomedy about the internet economy and a surreptitiously moving tale about the desire to be watched, and the terror of being seen.

An electric novel from the #1 New York Times bestselling, Booker Prize–winning author of Lincoln in the Bardo, taking place at the bedside of an oil company CEO in the twilight hours of his life as he is ferried from this world into the next.

Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion.

She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it?

Vigil transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future.

With the wisdom, playfulness, and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

A rollicking debut novel about a cautious daughter and her eccentric, estranged mother venturing west in search of buried treasure—and a way back to each other—before they run out of patience, money, and options.

After being fired for taking an uncharacteristic risk at her commodities trading job, Bea Macon sublets her New York apartment and books a one-way ticket to stay with her mother, Christy, a free spirit who has been living in Salt Lake City on Bea's dime. 

Usually the responsible one, Bea isn't about to admit exactly why she's suddenly decided to visit, but she isn’t the only one keeping secrets: Christy has a man. She has a map. She has . . . a username on a forum devoted to unearthing $1 million in buried treasure that an antiquities dealer claims to have hidden somewhere in the western U.S.?

Bea is convinced this is just another one of her mother’s wild larks, an elaborate way to refuse, as she has for Bea’s entire life, to finally grow up. But Christy believes she’s onto something—and she’s arranged a rendezvous in a rural town called Mercy with the guy she’s been obsessively trading theories with online to prove it. Out in the desert that one woman believes to be a promised land, the other a wasteland, they find themselves barreling toward a more high-stakes, transformative escapade than either of them could have imagined.

Populated with unforgettable characters and set against one of the world’s most oddly enrapturing landscapes, Scavengers is a funny and heartbreaking novel about old injuries, new beginnings, and the lengths to which we’ll go to find, escape, and reinvent ourselves.

Four very compelling choices! Happy voting and remember we are reading Lost Lambs by Madeline Cash in December, today is your last day to sign up.

Love what we do? Become a paid subscriber for less than a cup of coffee a month. Your ongoing support helps us plan ahead, fund causes we care about, and create meaningful programming for our community.